000 | 03506nam a2200469Ia 4500 | ||
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001 | 2446 | ||
008 | 230305s2017 xx 000 0 und d | ||
020 | _a9780316508278 | ||
043 | _aen_UK | ||
041 | _aeng | ||
245 | 0 | _aMove fast and break things | |
260 |
_a _bLittle Brown and Co., _c2017 |
||
300 | _ax, 308 pages : illustrations ; 25 cm | ||
500 | _ahow Facebook, Google, and Amazon cornered culture and undermined democracy | ||
505 |
_aThe great disruption _rLevon's story-- _rTech's counterculture roots-- _rThe libertarian counterinsurgency-- _rDigital destruction-- _rMonopoly in the digital age-- _rGoogle's regulatory capture-- _rThe social media revolution-- _rPirates of the Internet-- _rLibertarians and the 1 percent-- _rWhat it means to be human-- _rThe digital renaissance.-- |
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520 | _aJonathan Taplin tells the story of how a small group of libertarian entrepreneurs began in the 1990s to hijack the original decentralized vision of the Internet, in the process creating three monopoly firms -- Facebook, Amazon and Google -- that now determine the future of the music, film, television, publishing and news industries. Taplin offers a history of how online life began to be shaped around the values of the men who founded these companies, including Peter Thiel and Larry Page: tolerating piracy of books, music and film while at the same time promoting opaque business practices and subordinating privacy of individual users to create the surveillance marketing monoculture in which we now live. The enormous profits that have come with this concentration of power tell their own story. More creative content is being consumed that ever before, but less revenue is flowing to creators and owners of the content. Google, Facebook and Amazon now enjoy political power on par with Big Oil and Big Pharma, which in part explains how such a tremendous shift in revenues from artists to platforms could have been achieved and why it has gone unchallenged for so long. As Taplin observes, the fact that more and more Americans receive their news, music and other forms of entertainment from a small group of companies poses a real threat to democracy. Move Fast and Break Things offers a prescription for how artists can reclaim their audiences using knowledge of the past and a determination to work together. Using his own half century career as a music and film producer and early pioneer of streaming video online, Taplin offers new ways to think about the design of the World Wide Web and specifically the way we live with the firms that dominate it. | ||
630 |
_aHM SOCIOLOGY _91301 |
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650 |
_aGoogle (Firm) _910491 |
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650 |
_aFacebook (Firm) _910775 |
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650 |
_aAmazon.com (Firm) _910776 |
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650 |
_aInternet _xSocial aspects _910777 |
||
650 |
_aInformation society _93595 |
||
650 | 0 |
_aElectronic commerce _91263 |
|
650 |
_aMusic and the Internet _910778 |
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650 |
_aArt Internet _910779 |
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650 |
_aLiterature Internet _910780 |
||
650 |
_aDemocracy _xUnited States _9368 |
||
650 |
_aArt Internet _910779 |
||
650 | 0 |
_aElectronic commerce _91263 |
|
650 |
_aInformation society _93595 |
||
650 |
_aInternet _xSocial aspects _910777 |
||
650 |
_aLiterature Internet _910780 |
||
650 |
_aMusic Internet _910781 |
||
650 |
_a _912 |
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902 | _a510 | ||
905 | _am | ||
911 | _ahttps://biblioteca.tbs-education.es/portadas/9780316508278.jpg | ||
912 | _a2017-01-01 | ||
942 | _a1 | ||
953 | _d2019-02-07 17:29:40 | ||
999 |
_c2352 _d2352 |