000 | 03155nam a2200277Ia 4500 | ||
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001 | 2265 | ||
008 | 230305s1997 xx 000 0 und d | ||
020 | _a9780380782093 | ||
041 | _aeng | ||
245 | 0 | _aMusic, the brain, and ecstasy | |
260 |
_a _bHarper Perennial, _c1997 |
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300 | _axi + 377p. ; 21 cm | ||
500 | _ahow music captures our imagination | ||
520 | _aWhat makes a distant oboe's wail beautiful? Why do some kinds of music lift us to ecstasy, but not others? How can music make sense to an ear and brain evolved for detecting the approaching lion or tracking the unsuspecting gazelle? Lyrically interweaving discoveries from science, psychology, music theory, paleontology, and philosophy, Robert Jourdian brilliantly examines why music speaks to us in ways that words cannot, and why we form such powerful connections to it. In clear, understandable language, Jourdian expertly guides the reader through a continuum of musical experience: sound, tone, melody, harmony, rhythm, composition, performance, listening, understanding--and finally to ecstasy. Along the way, a fascinating cast of characters brings Jourdian's narrative to vivid life: 'idiots savants' who absorb whole pieces on a single hearing, composers who hallucinate entire compositions, a psychic who claims to take dictation from long-dead composers, and victims of brain damage who can move only when they hear music. Here is a book that will entertain, inform, and stimulate everyone who loves music--and make them think about their favorite song in startling new ways.What makes a distant oboes wail beautiful? Why do some kinds of music lift us to ecstasy, but not others? How can music make sense to an ear and brain evolved for detecting the approaching lion or tracking the unsuspecting gazelle? Lyrically interweaving discoveries from science, psychology, music theory, paleontology, and philosophy, Robert Jourdian brilliantly examines why music speaks to us in ways that words cannot, and why we form such powerful connections to it. ; In clear, understandable language, Jourdian expertly guides the reader through a continuum of musical experience: sound, tone, melody, harmony, rhythm, composition, performance, listening, understanding--and finally to ecstasy. Along the way, a fascinating cast of characters brings Jourdians narrative to vivid life: idiots savants who absorb whole pieces on a single hearing, composers who hallucinate entire compositions, a psychic who claims to take dictation from long-dead composers, and victims of brain damage who can move only when they hear music. Here is a book that will entertain, inform, and stimulate everyone who loves music--and make them think about their favorite song in startling new ways. | ||
590 | _bIncludes bibliographical references (p. [351]-359) and index. | ||
630 |
_aML LITERATURE ON MUSIC _93934 |
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650 |
_aMusic _x Psychological aspects _910004 |
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650 | _aMusic Physiological Philosophy and aesthetics. | ||
700 |
_aJourdain, Robert, _eAuthor |
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902 | _a454 | ||
905 | _am | ||
912 | _a1997-01-01 | ||
942 | _a1 | ||
953 | _d2018-06-04 17:34:42 | ||
999 |
_c2172 _d2172 |